Participá en el Premio 10 Años de Bola de Nieve

Bola de Nieve cumple 10 años y lo festeja con buenísimas novedades!

Del 07 al 28 de octubre entrá a www.boladenieve.org.ar, navegá los perfiles de artista y elegí tus 3 páginas favoritas. Ya hay más de 900 artistas en la red, muchas nuevas incorporaciones y perfiles puestos a punto para la ocasión. Además, con tu voto participás en el sorteo por 3 iPod Nano.

+ info en: www.boladenieve.org.ar/premio

Reenviá para que todos puedan participar!

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Premio 10 Años de Bola de Nieve
07 a 28 de octubre
01 a 23 de noviembre

www.boladenieve.org.ar/premio
premio@fundacionstart.org.ar
(+ 5411) 4953-2696/6772

White Fungus to be Media Partner to Colophon 2009

White Fungus is happy to announce it will be a media partner to Colophon 2009 – Second Edition, an international symposium on independent magazine publishing to be held in Luxembourg next March 13-15 in 2009. A biennial festival, the inaugural Colophon was held in 2007 and co-founded by leading Luxembourg independent publisher Mike Koedinger and Jeremy Leslie, Executive Creative Director at John Brown and author of influential publishing tomb Mag Culture.

Colophon 2009 is produced by Koedinger in collaboration with Casino Luxembog – Forum d’art contemporain. The international event will include exhibitions, talks, workshops, events and one-off publications, with more magazines, more attendees and a far more expansive programme than Colophon 2007. The symposium will be accompanied by a book, the second We Love Magazines, which explores the world’s independent magazine culture and contains the most comprehensive directory ever compiled on international pop culture magazines and the shops where you can buy them.

The opening exhibition for Colophon 2009 is BEYOND KIOSK - Modes of Multiplication curatated by Christoph Keller. A discussion between Keller and Mudam curator Chritophe Gallois will kick things off.

Check out Colophon 2009’s website here: http://blog.colophon2009.com/

Also, check out the White Fungus interview on the site here: http://www.colophon2009.com/archive/?mag_id=2282

http://whitefungusnews.blogspot.com/

A Commonplace Book

A commonplace book is a book of memorabilia, a scrapbook filled with recipes, quotes, letters, poems, legal formulas and so on. Originally the book was a memory aid and orators would “go” to metaphorical “places” to gather their arguments. They were places to which one could return for future reference. The commonplace book became a precursor to the modern reference book. This book takes ‘the commonplace’ – the ordinary and the everyday as well as the insignificant and references these moments within a commonplace book; as a way to recall and to make the insignificant significant.

http://www.index.org.nz/attrium.html

Canary Annual '07

The Canary Annual ‘07: A Momentum of Activity
The Sunset Years: Canary Gallery September 2005 - September 2006
Published November 2007 by Canary Gallery
ISBN 0-473-10397-4
Edited by Paula Booker and Rachel O’Neill
Designed by Hannah Ngaei

NZ $20 available from info@canarygallery.com
and Parsons Fine Art Books, Auckland, NZ


This second annual publication by Canary Gallery celebrates the momentum of activity Canary inspired, and continues to motivate, in its immediate Auckland environs and beyond.
The quiet after-life of the space that closed in 2006 is disturbed enthusiastically by those who have contributed to the Annual ’07, enlivening once more the network of artists, contributors, audience and supporters that make the Canary call heard even now.

Writing featured in the Annual '07 is not restricted to the chronology of shows at Canary, or indeed the artists and works that showed there. The Annual ’07 expands outwards from the gallery and its limitations, be they financial, social, spatial or geographic.

Nick Austin’s series of photographs pay homage to sites of potential pause or activity, while a pagework by J. A. Wallace illustrates his recent drawing experiments based on the perfect explosion. The Canary Gallery Minder Survey provides a behind-the-scenes insight into the day of an anonymous gallery sitter.

Laura Preston looks at the relationship between the works of Finn Ferrier and Gordon Matta-Clark, and the future-focused time capsule project by Fiona Connor, Finn Ferrier, Chris Fitz and Ben Tankard is also documented. ‘Which Craft?’ by James Robertson will have you knitting your brow as he tries to untangle craft practices presented in the Canary exhibition program.

Harold Grieves expands on the synthetic taste of original flavor, while Frances Loeffler observes on photographer Courtney Lucas. The work of Susie Pratt inspires Rachel O’Neill to argue for phenomenological forthrightness, while Paula Booker has contributed an arcade archaeology.

www.canarygallery.com/writing.htm

Canary Annual '05

The Canary Annual ‘05: Conversation, Critique and Community
The Golden Age: Canary Gallery March 2004 - September 2005

Published October 2005 by Canary Gallery (2nd edition Nov 2007)
ISBN 978-0-473-12923-1
Edited by Paula Booker
Designed by Shane Fairhall

NZ $20 available from info@canarygallery.com
and Parsons Fine Art Books, Auckland, NZ

Subjects covered include:
• Melbourne artist-run-initiative Dudespace
• Water Features, public sculpture and Ben Tankard's grand splish splashery
• Kah-Bee Chow likens the Ship of Fools installation by Andrew Barber and Paula Booker to the endeavors of the ambitious and foolhardy Howard Hughes
• A transcript from Spark 04 Artist-run space panel discussion at WINTEC
• The work of Ryan Moore is discussed
• Pageworks by Fiona Connor, Damen Joe and Finn Ferrier
• James Robertson and Paula Booker discuss the ballistic artwork of JA Wallace
• A photographic chronology of all Canary's shows to date.
• ...and more

www.canarygallery.com/writing.htm

reunited siblings

Reunited siblings is a collective of poets and artists who is combining the art of spoken word with the impact of fine art to create a new experience. Their aim is to bring together, art siblings that have been divided for so long by fusing such disciplines on various platforms and to create ways and means to make a living from their arts. Having said that, they have successfully launched three poetry and fine art anthologies; where they fuse the written word and fine art, and hosted numerous events in and around Jozi, this time bringing the word to life and adding yet another perspective with live performances from the featured wordsmiths. They have started relationships with siblings internationally, either featuring in the anthologies or by working on certain projects.

Members: Wesley (Creative Director), Ricky (Editor in Chief), Denis (Multimedia Director)

www.reunitedsiblings.co.za

NKA

Nka: Journal of Contemporary African Art is a triennial journal which serves as a platform for critical writing on contemporary African and African diaspora art and visual culture as they intersect with discourses on internationalism and globalization in the arts. It also promotes contemporary African and African diaspora artists and strengthen their presence on a global level.

http://www.nkajournal.org

ZX

ZX is published annually by the Manukau School of Visual Arts, in Auckland New Zealand. In 2006 we established an editorial board for ZX and we are grateful to its members for the effort they have put into reviewing, and commenting upon, contributions.

Y3k Newsletter

Y3k Newsletter (& Y2kgallery.blogspot.com) is an open vessel for varied contributions. It is a growing entity with a folded A4 page (or in other words 4 A5 pages) being added each month (mostly photocopied). It is a free form exercise in printed matter, open to various contributors, but with on going image conversations, and boxed features from Evergreen and Matt Hinkley. The web component does much the same with content on current exhibitions, artist pages and meandering discourse. it is free from various Gallerias monthly.

www.y2kgallery.blogspot.com

White Fungus

Based in Wellington, New Zealand, White Fungus is a biannual print publication of experimental arts from throughout the Asia / Pacific region. Featuring articles on art and new music, poetry, literature, comics and political satire, each issue of White Fungus is teeming with interdisciplinary content. Produced in Wellington, the publication is international in its focus and contains regular contributions from Germany, Australia, the US, China, Taiwan and Singapore. White Fungus is distributed by Disticor in North America. It is distributed independently throughout New Zealand and Australia, Asia and Europe. For more information or to subscribe checkout

www.whitefungus.com

un Magazine

From 2004-2006 un Magazine published seven issues of Volume 1, establishing itself as a significant part of Melbourne’s art community. By supporting and encouraging critical dialogue in the local art community, un Magazine’s continuing intention has been to develop a new approach to visual art discourse and publishing.

In March 2008 un Magazine relaunched with a new edition. Volume 2, Issue 1 extends and explores the creative possibilities of visual art writing. Edited by Rosemary Forde, the edition is a compendium of critical and crafted approaches, including responses to exhibitions in 2007-08, features, essays, fiction, and text-based artworks. Issue 2.1 offers innovative ways to engage with art practice through different forms of writing, as well as creating in-depth discussion around contemporary art works.

Volume 2, issue 2 will be released in November 2008. Back issues are downloadable from the website

www.unmagazine.org

The Reader

The Reader is a monthly publication co-edited by Tahi Moore and Kate Newby and printed and distributed though the gallery Gambia Castle that is based in Auckland, NZ. The Idea with the Reader is to have it act as a somewhat informal platform for a variety of people, local and international to contribute to.

Each month the title of the Reader is decided and named by an invited person and then this title is given to the 3-5 contributors to loosely inform the writing submitted. Previous titles have been “ Discreet and Popular”(Kate Newby), “You know when you really want to do something and then you get distracted and you’re doing something else and then you can’t be bothered with that first thing anymore” (Tahi Moore), and “Slow Connection” (Nick Austin).

For information regarding the Reader please contact; reader@gambiacastle.net
www.gambiacastle.net

The National Grid

The National Grid is a graphic design magazine operating loosely in the shadowy areas between academia and professional practice, and between art and design. The first issue was published in March 2006. The National Grid is produced twice a year, is independently published in New Zealand and is distributed internationally.

The National Grid was initially set up to provide a platform and point of distribution for certain sorts of projects and writing that were considered to be untenable within our peculiar national context. The hope was—and still is—that New Zealand graphic design might achieve a greater sense of literacy. In this sense it has been important for The National Grid to operate within a broader international context—while always trying to maintain a sort of girl-next-door status at home.

Jonty Valentine and Luke Wood (editors)

www.thenationalgrid.co.nz

The John Dory Report

Handmade in Christchurch, New Zealand. Latest issue features drawings by James Oram, photographs by Miranda Parkes, reviews by Harold Grieves and Shannon O'Brien, plus features on Tao Wells, Black Boned Angel and Rob Hood.

The Happy Hypocrite

The Happy Hypocrite
For and About Experimental Art Writing
Edited by Maria Fusco (2008)

The Happy Hypocrite is a biannual journal led by artists’ writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack the methodology of such key journals, whilst providing a brand new approach to art writing. It will provide somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.

www.bookworks.org.uk/asp/forth.asp

Spit and Polish

Spit & Polish is a new model for providing content to existing publications.
It functions as a mobile column that delivers material specific to a hosting publication.
This process may arise from a direct submission by Spit & Polish or through a specific commission. Under the moniker Spit & Polish, with a distinctive emblem to identify the space allocated by the publication, Melbourne based writers Jessie Borrelle and Caroline Clements administer compelling social observation that is relevant to the host's established audience and modus operandi. Employing a variety of formats and styles, including original texts, curated material, illustrations, fiction, interviews and the like, Spit & Polish is a roving collaborative project that exists so that all may be aware that in order to Polish - first you must Spit.

www.spitandpolish.net

Sabot

Sab0t (Mexiko-Stadt) erscheint als gedruckte Broschüre und beschäftigt sich mit Kunst, Aktivismus, experimenteller Erzählung sowie Medien- und Netzkultur. Es wird online im Kollektiv mithilfe von Open-Source-Software redigiert. Sab0t ist eines der Projekte von possible worlds, einer wirtschaftlich unabhängigen Initiative und eines autonomen Serverbetreibers, der Webspace zur Verfügung stellt. Unter possible worlds vereinen sich eine virtuelle Community, Online-Fernsehen, ein Medienarchiv, eine Mediathek und ein Netlabel sowie eine Reihe internationaler Konferenzen über Kulturproduktion und politische Netzwerke.

Gegründet: 2005
Erscheinungsweise: unregelmäßig, irregularly
ChefredakteurIn: Fran Ilich
Redaktion: luisa ungar (co-editor)
possibleworlds.org/

runway

runway is an independent, artist driven project aimed at enabling artists to participate on a level beside and beyond exhibition. Published by The Invisible Inc. runway presents a forum for discourse, documentation and discussion centring on visual arts in the Sydney region and beyond. Initiated in 2002, runway is steadily building a reputation as a vital artist run initiative, providing young, emerging and early career artists with the opportunity to present new work in a format alternative to the gallery space.

www.runway.org.au

Revista de Critica Cultural

The Revista de Crítica Cultural was founded in Santiago, Chile, in 1990. From its beginnings, the magazine has presented itself as a trans-disciplinary review (literature, social sciences, philosophy, theory, art, politics, feminism, etc.) that seeks to activate a debate of ideas inside and outside the university, and between the academic disciplines and the arena of intellectual criticism. The Revista de Crítica Cultural appears twice a year, and is the independent review with the greatest continuity and relevance in the Chilean cultural scene.
Editor Nelly Richard

Founded: 1990
biannually
Editor-in-chief: Nelly Richard
Producer:s Ana María Saavedra and Luis Alarcón.

www.criticacultural.org

ramona

ramona is a journal of visual arts based in Argentina.

ramona magazine is an independent monthly art magazine published since 2000 in Buenos Aires, Argentina.

The magazine uses a black and white, text only format and is limited to 100 pages. ramona is based upon an open submission policy in order to create a democratic system of dissemination and was conceived of as a way to give artists back their voice, and for them to reflect on the conditions of their production and their work. The magazine has become a landmark in the formation of visual art discourses within Argentina.

Around 300 authors - artists, historian, critics, curators, collectors, gallery owners, writers and researchers - have created a spontaneous polyphony with their collaborations in ramona. Some of them are Liam Gillick (U.K), Thierry de Duve (Belguim), Nelly Richard (Chile), Dmitry Vilensky (Russia), Brian O’Doherty (Ireland), Claire Bishop (U.K), Arthur Danto (USA), Gianni Vattimo (Italy) Abbas Kiarostami (Iran).

Many libraries in Argentina and Latin America receive ramona free of charge. In addition, ramona was invited to participate in documenta 12 magazine in Kassel 2007.

ramona is a non for profit publication. w: http://www.ramona.org.ar/